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Since opening the studio in 1996, Tony Prosser had a desire to create some of the most exciting marketing films in the world. It’s an ambition that is shared with Director Ian Jones and Art Director Stuart Bayley, who thrive on collaborating with our clients discovering new ways to make their vision a reality. This passion and desire to achieve the highest levels of image quality, characterisation and engagement on every project has become part of our DNA and is at the heart of each and every individual of our incredibly talented team. Everything we do is underpinned by our high quality production; marrying an extremely creative approach to the most advanced technologies. We take them further with bespoke tools written by our PipelineTD’s. In every sector we continue to push, develop and refine each process at every given opportunity and as a result have developed a highly adaptive production pipeline that allows us to take all projects above and beyond expectations. This is no exception for our specialist work within the automotive industry. Passionate about creating inspiring Animation, Cinematics and VFX.
Manchester, United Kingdom
REALTIME
1996
Animation
Animation, Media Production, Broadcast Media, Online Media
{first}@realtimeuk.com
john@realtimeuk.com
77%
{first}.{last}@realtimeuk.com
john.doe@realtimeuk.com
21%
FULL NAMES | JOB DESCRIPTION | COMPANY | LOCATION | PHONE NO | ||
Sam Taylor | Head Of Skills And Development | REALTIME | Mow Cop, United Kingdom | s***@realtimeuk.com | -- |
COMPANY | INDUSTRY | LOCATION | NO OF EMPLOYEES | ||
TAT Productions | Animation | Toulouse, France | 50-200 | See company details | See employee details |
Factory Create | Animation | Altrincham, United Kingdom | 50-200 | See company details | See employee details |
Amuse | Animation | Paris, France | 50-200 | See company details | See employee details |
The Line Animation Studio | Animation | London, United Kingdom | 10-50 | See company details | See employee details |
REALTIME has 87 employees.
REALTIME was founded in 1996.
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